Showing posts with label De Cereau. Show all posts
Showing posts with label De Cereau. Show all posts

Wednesday, April 11, 2012

"Walking in the City" by Michel de-Certeau - review

 "Walking in the City" by Michel de-Certeau - review

De Certeau's walking in the city doesn't start right away. First we are "lifted to the summit of the World Trade Center [which] is to be lifted out of the city's grasp". De Certeau starts there, at an all-encompassing yet detached and distanced stance towards his object of investigation. From the top of the high-rise the city is perceived in its totality. From there it can be studied, dissected and observed while being able to deny that you are somehow involved with it, that you are in a sense part of it. This is an intellectual stance and better yet, the dominant, even hegemonic, intellectual stance since the enlightenment which is according to de Certeau "the fiction of knowledge [which] is related to this lust to be a viewpoint and nothing more". This is the fiction of disinterested, disengaged knowledge which presents itself as none-historical and none-political by virtue of its self validation as objective.

But de Certeau replaces totality with specifity, meta-narrative for micro-narrative, disengagement with engagement, viewing for walking. Like Heidegger and the phenomenologists, de Certeau starts from within experience, not outside of it, or above it. Reading the city is walking it the city, and strangely enough, also writing it. For de Certeau holds, Like Roland Barthes in "Death of the Author", that the reader of the story also takes part in its writing. Furthermore, the micro-narratives of walking in the city "compose the manifold story that has neither author nor spectator". If meaning starts from within experience and not outside of it, it is therefore always limited to that experience and cannot transcend it, as the enlightenment philosophers had hoped.

De Certeau says that "there is a rhetoric of walking". Meaning is revealed as it is created, it did not exist there before. The city does not precede its actualization by people living in it, living it. In a sense the city is Saussure's Langue while walking in it in a certain path is Parole. And de Certeau's path starts with speaking, with saying something about the city through the medium of walking in it. The city seen from above is an illusion, a simulacrum. It starts when you take the first step in it.     


  

Wednesday, June 8, 2011

Michel De Certeau - Walking in the City - review

One of the key notions in Michel De Certeau's "Walking in the City" is expressed by his assertion that "urban life increasingly permits the re-emergence of the element that the urbanistic project excluded".  This urbanistic project is, as De Certeau describes, that of standing on top of the tallest building, out of the city's grasp, and looking down at the objective totality of the city, and as De Certeau says: "the fiction of knowledge is related to this lust to be a viewpoint and nothing more" to be "a totalizing eye".

But De Certeau prefers, as his title suggests, walking in the city instead of viewing it. He argues that walking in the city has "its own rhetoric" and with people's limited scope as the move about and write their own course of subjective use of the urban space "the network of these moving, intersecting writings compose and manifold story that has neither author nor spectator".

For De Certeau, the pedestrians of a city create it through their walking about, as an objective mass made of subjects which escape any planned or regulated scheme of the city. The pedestrian, while walking in the city, has his own style, which is a sort of language which speaks about the city and take part in creating its meaning. In walking in the city, the pedestrian gives new meanings to places and streets which are not the same as those originally assigned to them. Pedestrians, for De Certeau, create the meaning of the urban space by applying their imagination on it through the manner in which they move about the city "linking acts and footsteps, opening meanings and directions, these words operate in the name of an emptying-out and wearing away of their primary role. They become liberated spaces that can be occupied".
       

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