At about
the same time as Saussure was developing semiology, the American philosopher C. S. Peirce was developing
semiotics (as it tended to be known in the US and is now generally known
across the world).
Following
Peirce, semiologists (or semioticians) often draw a distinction between icons,
indexes and symbols.
Icons
Icons are
signs whose signifier bears a close resemblance to the thing they refer to.
Thus a road sign showing the silhouettes of a car and a motorbike is highly
iconic because the silhouettes look like a motorbike and a car. A very few
words (so-called onomatopoeic words) are iconic, too, such as whisper,
cuckoo, splash, crash.
Symbols
Most
words, though, are symbolic signs. We have agreed that they shall mean what
they mean and there is no natural relationship between them and their meanings,
between the signifier and the signified.
Most words
are symbolic signs. We have agreed that they shall mean what they mean and
there is no natural relationship between them and their meanings, between the
signifier and the signified.
In movies
we would expect to find iconic signs - the signifiers looking like what they
refer to. We find symbolic signs as well, though: for example when the picture
goes wobbly before a flashback. Certainly the 'real world' doesn't go wobbly when
we remember a scene from the past, so this device is an arbitrary device which
means 'flashback' because we have agreed that that's what it means. The road
sign with the motorbike and car has, as we have just seen, iconic elements, but
it also has symbolic elements: a white background with a red circle around it.
These signify 'something is forbidden' simply because we have agreed that that
is what they mean.
Indexes
In a
sense, indexes lie between icons and symbols. An index is a sign whose
signifier we have learnt to associate with a particular signified. For example,
we may see smoke as an index of 'fire' or a thermometer as an index of
'temperature'.
In old
movies, when they need to show the passing of time, they may typically show the
sheets bearing the days of the month being torn off a calendar - that is iconic,
because it looks like sheets being torn off a calendar; the numbers 1, 2, 3
etc., the names January, February etc. are symbols - they are purely
arbitrary; the whole sequence is indexical of the passing of time - we
associate the removal of the sheets with the passing of time.